I Just Called To Say Hiyah!
What the bloody hell!?! I spend a week being drunk, and sober up only to find that all hell has broken loose in my absence! What has gotten me in such a huff, you ask? What could possibly make my stink-nugget pucker with a force strong enough to crush an atom? Steven Segal has recorded and released an album. What makes this even worse (if it can get any worse) isn’t that this atrocity was released in France (…), no. What makes this signal of the Apocalypse all the more horrific is that (lord forgive me) Stevie Wonder has lent his talent to this fiendish endeavor. Let’s look at this more closely. He who has given us the cinematic behemoths such as Above the Law, Out for Justice, Hard to Kill and Marked for Death has turned his bloody fists of fury to the realm of popular music. His first single Girl It’s Alright is climbing up the Slow Jam charts, again in…France. But how on Earth did one of music's most prolific songwriter get caught up in this soundtrack of death? That’s simple, Mr. Segal held auditions. Somewhere out west on a remote Native American reservation a lone teepee stood. Music’s most beloved entertainers lined up for miles for the opportunity to assist the one time badass in assaulting popular culture with songs from his heart. Inside Mr. Segal stood menacingly, arms crossed next to a baby grand piano. A Shaman sat quietly behind him. “Next!” Michael Jackson slowly crept to the piano, wearing a Spiderman t-shirt with his lawyers in tow. After a moving rendition of You Are Not Alone, Mr. Segal huffed with disapproval. “Michael Jackson…” He said in his gravely voice “while your talent knows no bounds, your very existence frightens me more than that of Screwface from my cinematic behemoth Marked for Death.” With a whuh-pow, smash, crack, snap Jackson was twisted and beaten into a bloody pulp and kicked out of the front door-flap of the teepee. “Next!” Jay-Z and his entourage bopped in to a beat that seemed to come from nowhere. After free-styling about the fictional adventures of Sean Carter and Mason Storm, Jigga produced a cordless microphone from the pocket of his leather jacket and smashed it on the ground in an act of supremacy. Segal shook his head slowly in disgust. “Jigga, you can rhyme circles and quadrilateral shapes around DMX and your stage presence is unrivaled but you are far too ugly to be dating Beyonce’ as the media would suggest. Thus, I doubt your ability to help me. ” A quick Whu-pow, crunch, spin, flip, and shove later Jigga’s arms were rammed into his mouth up to his elbows with his hands and forearms sticking out from his ears. “Next!”Celine Dion marched up to the piano aglow with Candian pride. She ran her hand through her hair but before she could open her mouth to sing or lift a finger to play Segal lifted the piano over his head and smashed it down on her frail body with a primal grunt. “Next!”The entrance to the teepee was suddenly blown open by a mighty gust of wind. A mighty red carpet thundered in and unrolled, stopping at Segal’s feet and producing the mighty J-Lo. She held a tiny Chihuahua under one arm and shouted into a small cellphone in her opposite hand. Slamming the phone shut she threw the dog to one side and slid out of her fur jacket. A troupe of male dancers magically emerged from her ass, one by one, and the performance that followed can only be described as rumperific. “Ms. Lo, while I am mystified by the size and juiciness of your ass, I cannot in good conscience allow you to help me with my debut double-album for fear of one day being forced to star along side you in the sequel to The Wedding Planner entitled The Wedding Planner 2: Nuptial Punch. After a precision bop to the top of her head the whole of J-Lo’s body was shoved down into her ass. Segal made quick work of the dancers by distracting them with a poster of Mark Wahlberg then laying siege to them with a whirlwind of kicks and elbow smashes. “NEXT!” Whitney Houston and Bobby Brown materialized from a cloud of weed smoke but never stopped arguing enough to perform. “Whitney Houston, just let it go. It’s over…and it wouldn’t hurt for you to have a bag of Skittles now and again. Mr. Brown, be a man. Swallow your pride and get back with New Edition in time for the 20th Anniversary tour.” He let them pass unharmed. …Strange. “Next!” “Tu-tu-ken-oh…” he whispered to the Shaman behind him. “Is it me or is getting hot in here?” With that, a giant drop of sweat fell from the sky and produced a scantily-clad Christina Aguilera. She pranced around him, “Aretha-yodeling” every euphemism for sex, blowjobs and anal sex known to man and ended her strip tease with a smack to her own ass, squirming and wincing with delight. “Ms. Aguilera, though I’d like to shove my mighty man-shovel into your she-melon, you are five years older than I prefer my women. Also, you are white. Leave the vocal acrobatics to truly talented black artists like Anita Baker and Johnny Gill.” That man beat her... mercilessly with a dildo handed to him by Tu-tu-ken-oh. “Next!” Finally, Stevie Wonder was led in by an assistant who sat him on the piano bench among the crushed remains of Celine Dion. Mr. Wonder cracked his knuckles and in a flash reconstructed the piano with Dion’s body tastefully hidden inside. He played Lately more beautifully than ever been heard by human ears. Moved to tears Segal fell to his knees. “Stevie Wonder, your genius has moved me to cry harder than I did when in my cinematic behemoth Executive Decision I was allowed to be on the same sound stage as Halle Berry. I shall spare you and bid you join me on my album, which we shall call Songs In The Key Of Whuh-Pow! “Maybe I should stop here before the man sends some ninja after me.
